An Open Letter to a Personal Hero

Dear Dr. Wood,

We met briefly in the pub before your concert in St Albans last month. It was one of the best concerts I've seen you do. I don't know why, because it's exactly the same set I've been seeing live since 2008. But something about that particular show was better, even perhaps better than your performance at the O2 with Status Quo a few years back.

You might vaguely remember me. I came into the pub with my dad about ten minutes before the show was due to start, and was slightly gobsmacked at actually meeting you in person. It was just such a surreal experience. You - Roy Wood - were there. In a Wetherspoons, right in front of me.
My dad asked you to sign about a million copies of the painting hanging in our "music room" (anyone else would call it the dining room); The Songwriter by Debra Dee, from the collection of portraits she painted of you. They were on display at St Paul's Gallery in Birmingham in 2012. It's one of the more crazy things my dad has ever bought - I remember coming home from school one day, and he was just grinning like a fool. I didn't even have to ask why. I think my exact words were "which one did you buy?" Apparently that painting makes up a portion of my inheritance. My boyfriend is thrilled...

We took a few photos together, which astonished friends and family. There are hardly any photos of my dad in existence. Surprisingly, this isn't because he's a vampire; it's simply because he doesn't like photos. When I was growing up, the only picture of him on display in our house was meeting you at some obscure concert in some obscure year of the 80s. I think that speaks volumes for you.

Without needing to be asked, my dad told you that his favourite song of yours is "Mist on a Monday Morning". And he's right, the poetry of the words is amazing, and the orchestration is very clever. Dad asked you if you'd written it (he knew you had, but didn't want to get it wrong, I think), to which you said "Of course I did, you knob." That sent him reeling. Hours later he was still over the moon; "Roy Wood called me a knob!", he kept joyously repeating.
When asked, you said that your favourite song from your extensive catalogue is "Beautiful Daughter". I agree that it's a lovely song, and I'm sure it has much more meaning to you than it does to anyone else. That's just how these things are. But it got me thinking about which of the thousands is my favourite. I'm sure you probably don't want to know, but I'd like to tell you.

It took some consideration. Being born in the 90s means that I have very little concept of what was popular, or successful, or even sometimes exactly when things were released. I also get confused between The Move and early ELO sometimes, but I'm working on it.
There are the obvious favourite songs, such as "See My Baby Jive" and "Angel Fingers", but whilst brilliant, neither of those was ever really contenders for me. I love "Blackberry Way", especially the new edit on Music Book, but I never know whether to laugh or cry when I hear it. It's quite a painful song in a strange way.
I absolutely adore "Brontosaurus", although it's a little muddy-sounding, and I think that building it into the intro for "California Man" is genius. "California Man" is another amazing song, although my experience with real Californian men leaves something to be desired. And I have to point out, Dr. Wood, you're not actually from California. You're from Birmingham. Sorry to break it to you.
I also get some enjoyment from the mad, comedic songs you've produced, such as "Curly" and "When Gran'ma Plays The Banjo". Heaven knows why. "Jolly Cup Of Tea" is also on the list. Somewhere.

But in the end, Dr. Wood, I think my favourite song you've ever written is "Whisper In The Night". There's a recording, an old live recording, of you playing it without the choir, and that's one of my favourite recordings ever, I think. It starts with you saying "That was Jeff Lynne, of course. Of course... Of course..."  and then you go on to explain the song. It's beautiful and I don't really know why. That song also contains on of my favourite quotes of all time; "Though God gave the world // It's not mine to throw away." I don't know if you're religious or if it's just there for musicality, but it really strikes a chord with me. But I suppose you don't need telling how amazing your work is. It's right there, every Christmas, when the whole world is playing your song. (And a smaller portion of the world is playing your other song, "Sing Out The Old, Bring In The New". That's also great, by the way.)

But I've been talking for a while now, I'd better stop so you can get on. I guess what I'm trying to say, Dr. Wood, is thank you. Thanks for being a genius and writing a lot of my favourite songs; thank you for founding most of my favourite bands too. But thank you most of all for being a decent human being, and letting a starstruck young woman and her dad interrupt you in a pub. Having a hero who's also a stand up guy is a real blessing.

I'm going to another of your concerts this year, I've been incredibly lucky. A friend and I are going to Birmingham on the 20th December to see Rockmas, with you, Chas and Dave, and Andy Fairweather-Low and the Low Riders. We even got seats really close to the front. You won't be surprised to hear that I'm looking forward to it!

Anyway, it was a pleasure meeting you. I look forward to seeing you again.
Best wishes,
Emma

A Rediscovery

So hey, here I am again, just pottering around the contorted crevices of my brain and I've discovered and am now pondering the beautiful music of Tom Petty. I am, of course, already aware of his music; Highway Companion was actually my parents's highway companion for about a year, so every trip we went on, we would listen to it. What's more, he was also a member of The Traveling Wilburys, unquestionably the best supergroup in existence (except perhaps The Rockers, but that is an EPQ-worthy debate.)

First and foremost, Petty's voice is fantastic - it's quite rough and almost vulnerable, which makes the words of his songs so much more powerful to the listener. It's also a very distinctive voice which means that, especially in The Traveling Wilburys, his voice stands out from the likes of Roy Orbison and Jeff Lynne, whose voices are both very smooth and refined.

The second thing which makes Tom Petty's work so good are the amazing lyrics. Bob Dylan once called Tom Petty a poet, but he has always denied it. Personally, I agree with Dylan. I mean, look at this, for example:

Tried so hard to stand alone,
Struggled to see past my nose
Always had more dogs than bones;
I could never wear those clothes.

To me, those words (taken from 'Square One', from Highway Companion) are haunting and beautiful. But if you don't like that, how about this?:

So If I come to your door
Let me sleep on your floor,
I'll give you all I have and a little more.

That's the chorus to 'Down South', also from Highway Companion and not only is it some of the best writing for a song that I've ever heard (for me, it's up there with Don McLean's 'Vincent' and 'Mist On A Monday Morning' by Roy Wood) it's also something so wonderfully written that it wouldn't look out of place in an A-Level poetry analysis.

If anyone is interested, or keeping notes, I have also added Square One to my list of music which I would like at my funeral. I've posted link below, so you can see why. Also below is a link to a Web Page about some of the more well-known songs Petty has written. Thanks for reading :)



http://performingsongwriter.com/tom-petty-songs/

Explorers

Today I find myself with a free half an hour and very little to do. Over lunchtime I have been pondering the Explorer Meeting that Jess and I have planned for tomorrow night. It's epic. So I think I'll write about it.

The evening is called "Confessions" and is a partially group-organised, partially surprise meeting based on embarrassment and getting to know each other a little better. So far the planning is going quite well, but my co-conspirator, Jess, has GCSE exams this week, which she has to take into account in her role in the planning. Fortunately, I have been able to take over from most of the planning she is unable to now do and she is preparing another activity instead, which will take less time (hopefully).

So, to get you started, I have posted a couple of embarrassing pictures which come up when you search "Cuffley Explorer Scout Unit" in Google Images. The above one is Mr Robbie Williams himself (Teej) with Broke The Goat, on one of the rides at Southend. The one opposite is some crazy fool, who thought it would be a good idea to dance like a teapot in a kebab shop. Honestly...

Finally, this is a picture from the Southend trip of another one of our Explorers riding a pink elephant whilst carrying Broke. (You can't say we're not diverse in our madness!)

Soul Band - Rehearsal 2011

Ladies and Gentlemen, may I introduce...

THE DAME ALICE OWEN'S SOUL BAND!!!
(Complete with small Me, small Seb, small Peter and Others...)
This is almost two years ago now, but it's still one of the best things I've ever done (except this year's rehearsal - there were more baked potatoes this year!)

A Brief Note

Dear All,

As you may be aware, Clive Dunn died on Tuesday.



For those of you who don't know (and you should be ashamed that you don't) Clive Dunn was an amazing actor who played Lance Corporal Jones in Dad's Army as well as gracing the musical charts with his song "Grandad", which is sublime. Really, it is. He also had a song called "I played the Spoons", but it's not as well-known. Although it is probably more epic than "Grandad".

Since I first watched Dad's Army, I really loved Clive Dunn; Jonesy is an amazing character and it must've taken a lot of skill to make it so believable. How could such an old character be played by such a young man? And, as everyone knows, his "DON'T PANIC!" approach to life was both practical and hilarious...

 

He has been an inspiration to many people of all ages and he will be dearly missed.